Dramawalker Vite - Centro Dramático Nacional

Dramawalker Vite

A mediation project in the barrio, in collaboration with Centro Dramático Galego and Grupo Chévere Listen to the audio stories here:

TEAM

Artistic coordination

Xron

Concept and creation

Chévere

Playwriting

Paula Carballeira, Esther F. Carrodeguas, Manuel Cortés, Carlos Santiago and Xron

Cast

Daniel Baamonde, Ricardo de Barreiro, Mónica García, Miguel de Lira, Patricia de Lorenzo, Eduardo Rodríguez Cunha “Tatán”, Miguel Varela and Arantza Villar

Sound designer

Xacobe Martínez Antelo

Research and documentation

Manuel Cortés and Xron

Video

Dani Cornes and Lucía Estévez

Illustrations

Tristán Ron Ferreirós

Producer

Centro Dramático Nacional, Centro Dramático Galego and Grupo Chévere

Welcome illustration

Ana Bustelo

ACKNOWLEDGMENTS

The documentation and story-gathering process involved the participation and collaboration of the neighbourhood residents, and their associative network: AAVV Polígono de Vite, Centro Socio Cultural José Saramago, Coordinator of A Barrio de Vite, Vite Te socio-community plan, Vite Arquiva, Por la Paz cooperative assembly, Rosa Álvarez, David Barreiro, Paula Ballesteros, Juan Manuel Gianzo, Xosé López Gori, Xesús Iglesias Luqui, María Masaguer, Joel R. Gómez, Mabel Requi Queijo, Íñigo Sánchez, Alfredo Santomil, Brais Santomil, Lano Villaronga, Branca, Dores , Loli, Marisa, Merce, Sagra and Uxío.

RELACIONADOS

Dramawalker Logroño

A mediation project in the settlement, in collaboration with Cuéntalo Festival de Narrativas, Logroño Town Hall and El Patio Teatro theatre Listen to the audio stories here:

Since the 1950s, tourism linked with the myth of Xacobeo (Jacobeo) has played a decisive role in urban planning and development in Santiago de Compostela. It has caused radical shifts in the use of historic buildings such as the former Royal Hospital, which was converted into a hotel in 1954. It meant new direct access routes to the cathedral had to be opened, getting rid of the traditional route connecting the historic centre with the periphery, as was the case when Avenida Xoán XXIII opened in the late fifties. Installed for the holy year of 1965, the Burgo de Las Naciones, a temporary pilgrim’s hostel, cut off the urban north of the city. The hostel was subsequently converted for use as a students’ residence for almost three decades, and later became a drug supermarket in the eighties. And in the nineties, the process of replacing the historic centre’s traditional businesses with shops aimed at tourists accelerated. Homes were abandoned, converted into hotels and other accommodation for tourists.

But Santiago de Compostela is more than a historic city. It’s much more. Anyone curious enough to explore further than the top spots in the tourism guide should come along with us to discover one of the most popular neighbourhoods: Vite. Any story of the city’s history in the last 50 years would be incomplete without it. The neighbourhood is primarily home to people with limited resources from other parts of the city, who were relocated to council flats in the area. The neighbourhood is the flip side of the tourism city, representing the most social aspect of urban planning. It confronts and connects Franco’s developmentalism with the Transition, integrating diverse communities. It is home to a proud social fabric and community which knows what it means to have to fight to get basic infrastructures and improve life in the neighbourhood. A neighbourhood scarred by drugs, which invented the cry of self-determination that would make a difference to the city in the early nineties: ¡Vite Nazón!

Dramawalker Vite offers an audio tour from the heart of the historic city to Vite, where you can immerse yourself in stories depicting the city’s urban memory. The project consists of the following stories:

  • A cidade simbólica non deixa ver a cidade real, by Xron. With Patricia de Lorenzo.
  • Espírito do bosque , by Carlos Santiago.
    With Miguel Varela and Ricardo de Barreiro.
  • Sinfonía de Vite en 4 movementos veciñais, byPaula Carballeira.
    With Arantza Villar and Daniel Baamonde.
  • A Ponderosa, by Manuel Cortés.
    With Eduardo Rodriguez Cunha “Tatán”, Manuel Cortés, Xron, Patricia de Lorenzo, Ricardo de Barreiro, Mónica García and Miguel de Lira.
  • O Monumento, by Esther F. Carrodeguas.
    With Miguel de Lira, Mónica García, Manuel Cortés

TEAM

Artistic coordination

Xron

Concept and creation

Chévere

Playwriting

Paula Carballeira, Esther F. Carrodeguas, Manuel Cortés, Carlos Santiago and Xron

Cast

Daniel Baamonde, Ricardo de Barreiro, Mónica García, Miguel de Lira, Patricia de Lorenzo, Eduardo Rodríguez Cunha “Tatán”, Miguel Varela and Arantza Villar

Sound designer

Xacobe Martínez Antelo

Research and documentation

Manuel Cortés and Xron

Video

Dani Cornes and Lucía Estévez

Illustrations

Tristán Ron Ferreirós

Producer

Centro Dramático Nacional, Centro Dramático Galego and Grupo Chévere

Welcome illustration

Ana Bustelo

ACKNOWLEDGMENTS

The documentation and story-gathering process involved the participation and collaboration of the neighbourhood residents, and their associative network: AAVV Polígono de Vite, Centro Socio Cultural José Saramago, Coordinator of A Barrio de Vite, Vite Te socio-community plan, Vite Arquiva, Por la Paz cooperative assembly, Rosa Álvarez, David Barreiro, Paula Ballesteros, Juan Manuel Gianzo, Xosé López Gori, Xesús Iglesias Luqui, María Masaguer, Joel R. Gómez, Mabel Requi Queijo, Íñigo Sánchez, Alfredo Santomil, Brais Santomil, Lano Villaronga, Branca, Dores , Loli, Marisa, Merce, Sagra and Uxío.

RELACIONADOS

Dramawalker Logroño

A mediation project in the settlement, in collaboration with Cuéntalo Festival de Narrativas, Logroño Town Hall and El Patio Teatro theatre Listen to the audio stories here: