Ricdin-Ricdon - Centro Dramático Nacional

Ricdin-Ricdon

Adapted and directed by Ilka Schönbein.

20 – 21 APR 2024 At 11:00 and 13:00 | duration: 55 min Family audience from 7 years of age Language: Spanish Technique: Gloves puppets and masks

Valle-Inclán Theatre

Please arrive well in advance as the auditorium will be closed once the performance has begun.
To collect your tickets, our ticket offices will be open from Monday to Sunday from 14:30 to 20:30.

TEAM

Writer and director

Ilka Schönbein

Cast

Alexandra Lupidi and Pauline Drünrt

Producer

AuFur & EnMesures

A collaboration of the Centro Dramático Nacional with the Centro Internacional del Titere de Tolosa (Topic)

Once upon a time there was a poor miller who had a beautiful daughter. One day, to make himself important, he told the king that his daughter could turn straw into gold. The king summoned the girl, led her to a room full of straw and demanded that she turn the straw into gold by morning or that she would die, before closing the room himself. So there sat the poor miller’s daughter who didn’t know how to turn straw into gold. While she wept, suddenly the door opened and a little man came in and offered to turn the straw into gold in exchange for her necklace. The following morning, the king entered the room and saw all the gold and was delighted. He took the girl to a much larger room full of straw and demanded that she repeat the feat. Like the night before, the little man went to spin the straw into gold for the girl who this time paid him with her ring. On the third day, the king took the girl to an even bigger room and told her that if she turned all the straw into gold, he would make her his wife. When the little man arrived, the girl had nothing to pay him with. So he promised to give him his first son.

TEAM

Writer and director

Ilka Schönbein

Cast

Alexandra Lupidi and Pauline Drünrt

Producer

AuFur & EnMesures

The company

AuFur & EnMesures

AuFur & EnMesures

Originally from Darmstadt, Ilka trained in Rudolph Steiner’s eurythmic dance, which advocates the combination of soul and gesture rather than effort and technique. She then studied with the puppeteer Albrecht Roser in Stuttgart. After completing her studies, she toured with other companies for ten years before founding her own company, Theater Meschugge, and hitting the road with her own shows.

A collaboration of the Centro Dramático Nacional with the Centro Internacional del Titere de Tolosa (Topic)