Lacrima - Centro Dramático Nacional

Lacrima

Written and Directed by Caroline Guiela Nguyen

28 MAR – 30 MAR 2025 Thursday to Sunday at 20:00 | Matinée: Tuesday 30 MAR at 12:00

María Guerrero Theatre | Sala María Guerrero

Show in French, Tamil, English and sign language with Spanish supertitles

TEAM

Writer and director

Caroline Guiela Nguyen

Cast

Dan Artus, Dinah Bellity, Nastasha Cashman, Charles Vinoth Irudhayaraj, Anaele Jan Kerguistel, Maud Le Grevellec ,Liliane Lipau, Nanii, Rajarajeswari Parisot and Vasanth Selvam

In video

Nadia Bourgeois, Charles Schera and Fleur Sulmont

Narrator

Louise Marcia Blévins, Béatrice Dedieu, David Geselson, Kathy Packianathan and Jessica Savage-Hanford

Artistic collaborator

Paola Secret

Set designer

Alice Duchange

Lighting

Mathilde Chamoux and Jérémie Papin

Costume designer

Benjamin Moreau

Original music

Jean-Baptiste Cognet, Teddy Gauliat-Pitois and Antoine Richard

Sound designer

Antoine Richard

Video designer

Jérémie Scheidler

Movement design

Marina Masquelier

Producer

Centro Dramático Nacional; Théâtre National de Strasbourg; Festival TransAmériques de Montreal; Comédie de Reims, Centre dramatique national; Points communs, Nouvelle scène nationale de Cergy-Pontoise et du Val d'Oise; Les Théâtres de la Ville of Luxembourg; Piccolo Teatro di Milano-Teatro d'Europa of Italy; Théâtre de Liège of Belgium; Wiener Festwochen-Freie Republik Wien of Austria; Théâtre National de Bretagne of Rennes; Festival d’Avignon and Les Hommes Approximatifs

About the show

Following the reactivation of SAIGON this season, LACRIMA is the first creation of author and director Caroline Guiela Nguyen since her arrival as TNS director in September 2023. A Parisian haute couture firm receives an extraordinary order. For several months, in the best-kept secret, thirty men and women work in a Parisian workshop, but also in Alençon, to make lace, and in Mumbai, India, to embroider. Thousands of hours will be spent doing this work. In a great choral history, Caroline Guiela Nguyen tells these workers in the shadows, these exceptionally knowledgeable seamstresses, designers and embroiderers, that their lives are about to change.

 

TEAM

Writer and director

Caroline Guiela Nguyen

Cast

Dan Artus, Dinah Bellity, Nastasha Cashman, Charles Vinoth Irudhayaraj, Anaele Jan Kerguistel, Maud Le Grevellec ,Liliane Lipau, Nanii, Rajarajeswari Parisot and Vasanth Selvam

In video

Nadia Bourgeois, Charles Schera and Fleur Sulmont

Narrator

Louise Marcia Blévins, Béatrice Dedieu, David Geselson, Kathy Packianathan and Jessica Savage-Hanford

Artistic collaborator

Paola Secret

Set designer

Alice Duchange

Lighting

Mathilde Chamoux and Jérémie Papin

Costume designer

Benjamin Moreau

Original music

Jean-Baptiste Cognet, Teddy Gauliat-Pitois and Antoine Richard

Sound designer

Antoine Richard

Video designer

Jérémie Scheidler

Movement design

Marina Masquelier

Producer

Centro Dramático Nacional; Théâtre National de Strasbourg; Festival TransAmériques de Montreal; Comédie de Reims, Centre dramatique national; Points communs, Nouvelle scène nationale de Cergy-Pontoise et du Val d'Oise; Les Théâtres de la Ville of Luxembourg; Piccolo Teatro di Milano-Teatro d'Europa of Italy; Théâtre de Liège of Belgium; Wiener Festwochen-Freie Republik Wien of Austria; Théâtre National de Bretagne of Rennes; Festival d’Avignon and Les Hommes Approximatifs

Biography

Caroline Guiela Nguyen

Caroline Guiela Nguyen

Caroline Guiela Nguyen is a writer and director of theatre and cinema. After starting out as a sociology student, she enrolled in the TNS theatre school. In 2009, she created her own theatre company, Les Hommes Approximatifs.

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Her work, based on her own life stories, highlights the people and stories that theatre has largely ignored. Her shows include: Se souvenir de Violetta (2011), Ses Mains, Le bal d’Emma (2012), Elle brûle (2013), Le chagrin (2015), Mon grand amour (2016), SAIGON (2017). SAIGON was nominated at the Molière awards, the main French theatre awards ceremony, in three different categories, and it received the Georges Lherminier Prize from the Association Professionnelle de la Critique de Théâtre, Musique et Danse (Best production outside Paris). In 2019, the theatre company Les Hommes Approximatifs embarked on a new research cycle around the issue of FRATERNITY that would give rise to several new productions: Les Engloutis, a film shot with inmates at the Maison Centrale d’Arles prison, FRATERNITÉ, Conte fantastique and L’Enfance, la Nuit, which was shown in Schaubühne in Berlin in 2022.