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Cash in theatres.
Product details Price: 10 euros · No. pages: 174 · Collection: New Collection No. in the collection: 23 · Language: Spanish – Binding: paperback ISBN: 978-84-9041-468-2 · Year of publication: March 2023 · Place of publication: Madrid, Spain
SYNOPSIS
Kyiv, March 2022. Patricia is a writer and theatre director who has transformed her company’s rehearsal room into a shelter. Despite the Russian invasion, she continues writing stories to keep her loved ones together. The director proposes writing a piece entitled Pin, Pan, Putin. The war makes rehearsals a complex affair, but the company manages to make progress on their story. However, from the moment Putin’s character dies, everything turns into absolute chaos.
Playwright and theatre director with a degree in Law from the University of Navarra and in Stage Direction from the RESAD. His work is characterised by its humour, the stylistic inventiveness with which it examines issues relating to his personal experiences and circumstances, and by his commitment to research into new dramatic structures. With a profound knowledge of theatrical craft, throughout his career he has alternated directing his own texts with adaptations of repertory plays.
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With a career that began more than twenty years ago with Steven Berkoff’s Greek (1999), a new phase in his career opened with his role as director of the Centro Dramático Nacional in January 2020. Many of his works have premiered in INAEM venues, including the Centro Dramático Nacional, the Compañía Nacional de Teatro Clásico, and the Teatro de la Zarzuela. He has written and directed stage productions such as Risas y Destrucción (2007), Sí, pero no lo soy (2008), Delicadas (2010), Días estupendos (2010), En la luna (2011), Aventura! (2012), La calma mágica (2014), La valentía (2018), and others he has adapted and directed, including La cabeza del Bautista (2009), Esperando a Godot (2013), Luces de bohemia (2018), La dama boba (2017) and El barberillo de Lavapiés (2019).
As director of the Centro Dramático Nacional he has premiered Macbeth (2020), El bar que se tragó a todos los españoles (2021) and El Golem (2022).
Sanzol won the National Dramatic Literature Prize in 2016 for his play La respiración and the 12th Valle-Inclán Theatre Prize in 2017 for La ternura. He has been distinguished with the Theatre Award of the Community of Madrid and with an Honour from the Government of Navarre for his professional career. He has won eight Max Awards for the Performing Arts, including five as Best Author and three for Best Show.
© Barbara Sánchez Palomero