Ensimismada - Centro Dramático Nacional

Ensimismada

Written and directed by Alfredo Sanzol

28 NOV – 20 DEC 2024 Tuesday to Sunday at 18:00 | Meeting with the artistic team: 11 and 13 DEC 2024

Valle-Inclán Theatre | Sala Francisco Nieva

TEAM

Writer and director

Alfredo Sanzol

Cast

Cris Blanco y los Nuevos Dramáticos (Aarón Arrazola Quispe, Abraham Arrazola Quispe, Gloria Bakare, Camila de Basi Novoa, Marc Flix Sarasola, Carlota Hernández, Angélica Hervella Guevara, Nicolás de Marcos Guisado, Denis Mitican, Daniela Molano, Gilda Polo Camacho, Viena Polo Camacho, Sofía Margarita Providel Bahamondes, Sofía Robles Blasnueva, Carlota Rodríguez García, Lola Rodríguez Pérez, Noa di Roma Barreto, Alma Salmerón Alcalá, Zoé Sánchez Almeida, Salomé Sánchez Moreno, Clara-Dorotea Sánchez-Cabezudo Lunden, Vera Silvestre Presa, Eloy Stingo Laiz and Guillermo Yagüe Noya). Rest of the cast TBC.

Set designer

Blanca Añón

Lighting

Pedro Yagüe

Costume designer

Vanessa Actif

Music

Fernando Velázquez

Sound designer

Sandra Vicente

Movement director

Amaya Galeote

Pedagogical coordination

Lucía Miranda

Producer

Centro Dramático Nacional

ACKNOWLEDGMENTS

Red Planea, CEIP República de Venezuela, CEIP Menéndez Pelayo, CEIP República de Chile, CEIP Pradolongo, CEIP Legado Crespo and CEIP Isabel la Católica.

Writer and director’s note

I wrote this work because we humans sometimes need to crawl into our shells, to turn things over in our minds, isolated in our world of images, slogging through or enjoying our thoughts, planning or stewing in our juices, isolated from others and from the world. But the problem comes when we remain in this shell: loved ones worry, loneliness becomes a vicious circle, making us afraid to come out, the outside becomes threatening, and we forget that the mind can function alone for a while but that to work at its best, it needs others, as if we were parts of a large tree, of a large invisible network. Paradoxically, to find ourselves, we need others.

In this story, Ensimismada is the name of the youngest sister. Everyone calls her Ensi, she’s going through a rough patch, she doesn’t want to talk to anyone, she doesn’t want to play with anyone, she’s very introverted, so much so that she ends up trapped inside her own head.

Responsable is the oldest sister, everyone calls her Respon. It is Respon who ventures inside Ensi’s head and who goes all out to find her little sister. What Respon finds inside her sister’s head is that there is no way to make progress in someone else’s head without knowing that person. So the first thing Respon has to do is find out what her sister likes and doesn’t like, something she had never cared about.

Respon’s surprise comes when she finally finds Ensi, who tells her she doesn’t want to leave, she wants to stay forever in her head… you’ll see why.

This is a story of an older sister and a younger sister that emerged from roleplaying with girls and boys, and it’s written and directed for the girls and boys who want to come and see it. Although the subject of non-harmonic self-absorption affects us as a society, I looked for an entertaining and humorous way to approach this delicate conflict.

It’s my first time writing a play for girls and boys aged eight and up. Before me, authors and directors participated in this project, such as Jordi Casanovas, María Goiricelaya, Dan Jemmett and José Troncoso. We were all guided by the wisdom of Lucía Miranda and Nacho Bilbao. We hope the result is Ensimismada 1- Yawns 0.

Alfredo Sanzol

 

 

TEAM

Writer and director

Alfredo Sanzol

Cast

Cris Blanco y los Nuevos Dramáticos (Aarón Arrazola Quispe, Abraham Arrazola Quispe, Gloria Bakare, Camila de Basi Novoa, Marc Flix Sarasola, Carlota Hernández, Angélica Hervella Guevara, Nicolás de Marcos Guisado, Denis Mitican, Daniela Molano, Gilda Polo Camacho, Viena Polo Camacho, Sofía Margarita Providel Bahamondes, Sofía Robles Blasnueva, Carlota Rodríguez García, Lola Rodríguez Pérez, Noa di Roma Barreto, Alma Salmerón Alcalá, Zoé Sánchez Almeida, Salomé Sánchez Moreno, Clara-Dorotea Sánchez-Cabezudo Lunden, Vera Silvestre Presa, Eloy Stingo Laiz and Guillermo Yagüe Noya). Rest of the cast TBC.

Set designer

Blanca Añón

Lighting

Pedro Yagüe

Costume designer

Vanessa Actif

Music

Fernando Velázquez

Sound designer

Sandra Vicente

Movement director

Amaya Galeote

Pedagogical coordination

Lucía Miranda

Producer

Centro Dramático Nacional

ACKNOWLEDGMENTS

Red Planea, CEIP República de Venezuela, CEIP Menéndez Pelayo, CEIP República de Chile, CEIP Pradolongo, CEIP Legado Crespo and CEIP Isabel la Católica.

Biography

Alfredo Sanzol

Alfredo Sanzol

Playwright and theatre director with a degree in Law from the University of Navarra and in Stage Direction from the RESAD. His work is characterised by its humour, the stylistic inventiveness with which it examines issues relating to his personal experiences and circumstances, and by his commitment to research into new dramatic structures. With a profound knowledge of theatrical craft, throughout his career he has alternated directing his own texts with adaptations of repertory plays.

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With a career that began more than twenty years ago with Steven Berkoff’s Greek (1999), a new phase in his career opened with his taking up the direction of the Centro Dramático Nacional in January 2020. Many of his works have premiered in INAEM venues, including the Centro Dramático Nacional, the Compañía Nacional de Teatro Clásico, and the Teatro de la Zarzuela. He has written and directed stage productions such as Risas y Destrucción (2007), , pero no lo soy (2008), Delicadas (2010), Días estupendos (2010), En la luna (2011), Aventura! (2012), La calma mágica (2014), La valentía (2018); and others he has adapted and directed, including: La cabeza del Bautista (2009), Esperando a Godot (2013), Luces de bohemia (2018), La dama boba (2017) and El barberillo de Lavapiés (2019).

As director of the Centro Dramático Nacional he has premiered Macbeth (2020), El bar que se tragó a todos los españoles (2021) and El Golem (2022).

Sanzol won the National Dramatic Literature Prize in 2016 for his play La respiración and the 12th Valle-Inclán Theatre Prize in 2017 for La ternura. He has been distinguished with the Theatre Award of the Community of Madrid and with an Honour from the Government of Navarre for his professional career. He has won eight Max Awards for the Performing Arts, including five as Best Author and three for Best Show.